Professional choir awaits ’metamorphosis’

Laura Marble August 22, 2007

Three years ago, Tucson had fully professional opera, theater and orchestral groups. A brand-new choral group, Tucson Chamber Artists, wanted to add a choir to the mix.

Last year, the choir drew 800 people to its performance of Mozart’s Mass in C Minor at ticket prices competitive with other fine arts entertainment in Southern Arizona.

Now in its fourth season, the choir is seeking nothing short of metamorphosis. That concept, in fact, is the theme of its upcoming series.

“We feel we’ve been building this momentum,” said Eric Holtan, the group’s musical director. “We’ve had these successes, we’ve seen our support in terms of attendance and donations rise, and we’re ready to sort of jettison into a level of broader community awareness as one of the big four arts organizations in town.”

The five-part series will musically illustrate the stages often involved in metamorphosis: dreaming of something new, awaiting its arrival, celebrating its arrival, wanting still more, and finally experiencing true change.

The first concert, to be held at St. Philip’s in the Hills Episcopal Church and Beautiful Savior Lutheran Church on Aug. 25 and 26 respectively, will deal with hopes and dreams.

The concert will feature “Hymn to St. Cecilia,” by Benjamin Britten, which captures professional musicians’ heartfelt hopes. St. Cecilia is the patron saint of musicians, and the hymn’s refrain, taken from the work of W.H. Auden, reads, “Blessed Cecilia, appear in visions to all musicians. Appear and inspire.”

“We hope we are metamorphosizing into something that would have greater awareness and inspire more people,” Holtan said.

Also featured in the August concert are American folk songs and African American spirituals. The former embody the hope of “turn-of-the-19th-century pioneers traveling west and looking for a better life,” Holtan said, while the latter embody hope for a reality better than slavery.

As part of this year’s metamorphosis, Tucson Chamber Artists is launching the Young Composers Competition - a program that will give burgeoning composers a chance to hear their works performed by a choir of professional vocalists.

In honor of the launch, the choir will include on its August concert program a piece by University of Arizona doctoral student Casey Cook, who also serves as assistant conductor of the choir.

His piece, “Remember,” uses text from a sonnet about a grieving man who has hope that he will be able to overcome his remorse about losing a loved one and carry on.

Cook said he’s eager for the group of professional, paid singers to rehearse and perform his music.

“I can’t wait to hear it myself,” he said.

In addition to showcasing young composers, the choir intends to use its fourth season to start commissioning the established ones.

Composer Paul Crabtree, whose arrangements of African American spirituals are part of the August concert, is writing a piece for the last concert in the series based on Ovid’s “Metamorphoses.”

If “metamorphosis” is a big word for the evolution of a choir, Holtan believes that his group has cause to dream big. Each year its budget has doubled, and attendance has also shot up dramatically.

“It’s because of this explosive support we’ve been able to reach the point where we are now,” Holtan said.

For more information about where the group is going, visit www.TucsonChamberArtists.org.




Concert notes

What: Tucson Chamber Artists concert.

When: 7:30 p.m. Aug. 25 at St. Philip’s in the Hills Episcopal Church, 4440 N. Campbell Ave.; 3 p.m. Aug. 26 at Beautiful Savior Lutheran Church, 7570 N. Thornydale Road. Program highlights: “Hymn to St. Cecilia” (Benjamin Britten), American folk songs, African-American spirituals, “Remember” (Casey Cook).

Cost: $18

Phone: 401-2651

Online: www.TucsonChamberArtists.org

 

Note: The choir’s fourth season continues with concerts Oct. 27-28 and Nov. 4, Dec. 15-16, Feb. 2-3 and April 12-13. See Web site for more information.



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